Un Homme Pressé – Extrait 49
board game is set up and on the small right hand side, a small blackroom is getting lighted up. All the four players are entering the room, and to their good surprise, they are meeting Romain as lively as one can be, drinking an expresso and eating a croissant. On the other side of the scene, everything is getting tied up. All the players symbols are coming to life, and following their master. A strong, techno trance filled with good vibes resounds down the scene and on that, the curtains are getting closed with the rainbow light coming down back to the scene. End of play...??? Upper case is the case, and smiles are the commas. A map is rolled out. 19 Percussion of a discussion Justin stared at the last pages of his plays. No longer flabbergasted by the environment Henri created. He wondered loudly: So this is it, this is done, an optimistic conclusion Always Nothing more, no more balanced view, no more unexpected It is full of unexpected. You told me about adapting it to the scene, it will change again and again, and it is a draft, a raw and simple draft. The day I wouldnt look more than getting surprised in the morning planning, or unplanning. So yes it is a draft You never stop thinking of whats next, do you Never. It is a peace of mind I forgot and its giving me the power to enjoy every moments the most. Well, if you think thats simple. I dont think, I write. Well, as a writer, it is a pretty short conclusion this fifth act. Have you ever seen a fifth act from any play where the end was not written in the previous acts? Well, I guess not Exactly, so I put it simple, and direct to the point. On a scene, we are the master of time, and this acts can get enough silence to last as long as Act I For which purpose? Only one, to grasp the attention of the spectator. Ok, its your bet, they might leave with no thoughts at all on the whole piece if you dont give them something to eat in Act V You never shut up! Never, everything is up to discussion, and once you agree, you are better prepared for the next one to come. Thanks for the prospective. It is a draft, I might review it and cross writes the end with you. If time allows, we are not in a rush. I like that. So we are not romantic, we are just realist. Ok you are right, but please dont speak to my girlfriend When is she coming around again? Thats the part of unexpected Heisenberg doubt about. So, you are a you and no longer a we No I am me, and we are together. Dont make it more complex that it may seem, it is a relationship, I wouldnt think of ever over thinking such an experience. And you whats going on? It is going well. Deep inside what makes the day to day full, even twisting it to a D2D, everybody around the house, this one, others, were giving impulse to this dynamism during this young spring time, a break through a cold winter. - We are certainly voltaic sun cells. Look around, all the energy being released at this time of the year. - Good to know, thats showing our force, and more than that, our will. - Fancy a refreshing drink? - Its only eleven oclock It exploded from an unnoticeable remark. And like any crisis, it revealed a deep meltdown of a whole iceberg. No, not the lettuce-like, the titanic like. Setting the scene was remarkably far more complex with what he first foresaw. First, the lights. It is not to bother the director, or perhaps is it, but every time, it is bringing new lights to the speech being given. Here comes the choice between rewriting a draft that has been summoning his draft name since the beginning of the story and even before, or just a power of conviction. Then, Actors. They are keys, needless to say, as they are picturing the emotions into a lively scene. And actors, however good they are, have
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